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Shana Redmond

Professor of Global Jazz Studies and Musicology

UCLA

Shana L. Redmond is Professor of Global Jazz Studies and Musicology at UCLA. She is the author of Anthem: Social Movements and the Sound of Solidarity in the African Diaspora (New York University Press, 2014), which is an interdisciplinary cultural history that tracks the songs that organized the modern Black world. Her most recent book, Everything Man: The Form and Function of Paul Robeson (Duke University Press, January 2020), develops the theory of “antiphonal life” in order to track Robeson’s sonic travels, form, and animation throughout the twentieth century. Redmond is currently at work on two books: the first, The Song that Saved the World, interrogates aid music and racial benevolence, while the second, The Next Jubilee, tracks the possible impossible in Black music

 

 

 

 

 

 

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